Claire King

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Archive for the ‘publication’ Category

Back to Life

Posted on: August 15th, 2016 by Claire - 2 Comments

It’s been a whirlwind few weeks as Everything Love Is made its way out into the world. The hardback, ebook and audio CD are now available, and I’ve been whizzing around the country doing a few events to mark the occasion as well as keeping all my other balls up in the air.

I’m not doing a grand tour, of course, but have been fortunate enough to visit bookshops in places that are special to me, where people that are particularly important to me might be able to come along. What makes these kinds of events is the people who are there on the day – the welcoming booksellers who do their best to showcase your book and your event, and all the people who come along to have a chat and buy a book.  It was so lovely to have such a brilliant turn out over the last few weeks, from new friends and neighbours here in Gloucestershire, to old friends, neighbours and even school teachers in Yorkshire and everyone in between. At every event there were also lovely people I’d ‘met’ on twitter and have been chatting to about bookish things for years, who I finally got to meet face to face, as well as curious passing book-lovers willing to give my writing a try (THANK YOU!). Thank you so much to everyone who made the effort to come and support me, it was amazing to see you all. Special thanks also to Stroud Bookshop and The Little Ripon Bookshop who made so much effort setting things up. I’ll be doing one last Hurrah in Suffolk in the autumn so do stay tuned for more details on my events page.

I feel I can let go a little now my book has its wings. The first few reviews for Everything Love Is are online and are (JOY!) good. What a relief. There was also an excellent write-up in the Yorkshire Post, which said, “Really good literary fiction is a difficult trick to pull off…but Claire King has succeeded magnificently.” There’s not much else I can do at my end to help this book along at this stage, and I have already made quite a lot of noise on Twitter and Facebook, in fact you’re probably fed up of hearing me bang on by now. However, my books are what are fondly known as ‘word-of-mouth’ books, certainly that’s how The Night Rainbow grew its readership, and so if you’ve read Everything Love Is and feel you could share your thoughts with others by leaving a review I would be very grateful indeed. While you are always going to get the best service, book chat and experience in your local bookshop there are those people who don’t have that option and it helps them choose wisely where they don’t have a lovely Anna or Gill to help out. I also hope that some people read reviews online and then go and shop local…

By the way, Gill, at Little Ripon Bookshop suggests you get a book buddy to read Everything Love Is with, because there will be things you want to discuss afterwards that (hopefully) you won’t find in online reviews. I think that’s a excellent idea. We had a great and rather surprising little chat in Ripon about one plot aspect she wasn’t sure about… I’m also always more than happy to chat to reading groups, and to answer questions sent via the contact page here, so do feel free to give me a shout.

We are already halfway through the summer holidays. In three weeks time my girls will be back at school and I can’t believe how fast it’s gone. The summer holidays have felt so short this year now we are back in England and especially since I’ve been so busy. They were ten weeks long in France, and one of the things we gave up to move back here was our ability to take an extended summer break and enjoy the time together. The change has been worth it, but how I re-apportion my time is still taking a bit of getting used to.

The day-job calls. The pull of the next novel is strong. My kids want me to take them swimming.

In 2010, in my very first blog post – It’s Wrangly –  I talked about how I manage conflicting priorities. What I wrote then is still relevant two books and six years later. I’m feeling pretty stretched right now, so I’m going to take my own advice, switch off social media for a while, and split my time over the next couple of weeks between just three priorities – my family, my day job and getting some new writing down on paper.

I’ll be back again in September and keen to catch up. Until then, I hope you enjoy the rest of the summer.

Child leading donkey

Other posts on this topic you might like:

Gone Fishing

Gone Fishing Again

Prepare for Re-entry

Hope, Id and Climax.

Posted on: July 27th, 2016 by Claire - 12 Comments

It’s Wednesday night, 27th July 2016. My second novel comes out tomorrow. It’s a book that I have put a huge amount of thought, effort and love into. I have tried to be delicate, tried to create something that will touch people without hurting them. When I had a pre-launch signing last week, and I signed copies for people (THANK YOU PEOPLE) I felt I had to hand them back with two hands, carefully. For me this is not just a book, but a hope. My hopes are modest, but sincere.

The other thing of note is that the Booker Prize Longlist was announced today. Being long-listed is something I aspire to one day (yes really, because I want to write really amazing books), but I think it’s a few books down the line, if I’m lucky. I want Booker-listed books to truly blow me away. To challenge me and inspire me to be better. Two novels in to my writing career I think I would be disappointed if I hit this kind of aspirational standard. But I have been following some of the various predictions in advance of the announcement and to be honest I have felt uncomfortable for some of the authors touted as likely candidates. I think you must have to have a robust personality to manage someone planting that seed of hope in you, especially early on in your writing career before you have developed a thick skin of experience. A lot of the predictions and cheerleading for the longlist are, I feel, are fuelled by a buzz that feeds on itself. Or by an authentic desire to reward someone for a beautiful book you yourself loved. Or by a feeling that the author, somehow, personally deserves the honour. That it’s their time. But there are some 150 books put forward for the ManBooker, so it’s natural that most of us will not have read them all and will not be able to make an truly informed prediction. Still. Being on the receiving end of the cheerleading and hoping could be fun, right? Like sex without climax.

1993_climax

1993, The author reaches Climax

Authors are often fragile creatures, who take the risk of putting their hearts on show, to be loved or ridiculed. For most of us, that love comes very personally, from somebody who was touched by something you wrote, not in a tide of fandom. And yet something still compels us (me) to seek broader approval, even as we are also telling ourselves to run off and occupy ourselves with something else.

My friend, author Barry Walsh, quoted Virginia Woolf on twitter today: “I think the weeks when it [one’s novel] is first out are humiliating. People will talk about it, or they won’t talk about it. Which does one want? All that is miserable; and yet a necessity—one goes snuffing round after it.”

Same thing, right? But why? I blame my id. Freud used the analogy of the id as the horse, while the ego is the rider. I think we authors, no matter how skilled we are at riding, have pretty frisky horses.

Still with me? Bravo. In any case, all of this is to say that it’s a funny old feeling, launching a book out into the world. Particularly a hardback, which for most authors is a sort of prelude to the main act of a paperback. Book foreplay, if you will. It can be the kind of launch that can feel anticlimactic, if you’re not sure what’s going on or you’ve never done it before. This year I’m in the privileged position of doing it for the second time around, and based on my previous experience I plan to enjoy it, expectation-free, shape-wear free and wearing flat shoes.

In the publishing world, experience comes slowly. The process of writing and publishing a book takes years. It’s a long cycle. But if you are courageous as an author you can circumvent it. How? By actually talking honestly with other authors and learning from their experiences. This is not as easy as it may sound – we have a shiny image to project, right? Letting your guard down could be a risk. You won’t hear these kinds of conversations on twitter, unfortunately. But I think as authors we owe it to each other to have the conversation. Fortunately, in the last month I’ve been lucky enough to have a couple of amazing ‘off the radar’ author chats. Honest chats, in confidence, where we have talked about some of the (frankly ridiculous) vagaries of publishing, about the Emperors New Clothes, about advances and agents and expectations and disappointments and all the other things that are usually not said on social media or at parties. Of course I can’t tell you what was said. But I can say that these chats have left me feeling positive, good humoured and happy to be part of a community of like-minded, kind, clever, individuals. Learning as we go, sometimes disillusioned, but still hopeful.

I said earlier that my hopes are modest, but sincere. They are. I hope you will choose to read my book. I hope it will find a place in your heart. And I hope, if I’m being honest, that it sells enough copies for me to be a good bet for book three.

The Second Star

Posted on: June 2nd, 2016 by Claire - 4 Comments

Why am I feeling so on edge?

When my debut novel The Night Rainbow was published back in 2013 I was a little nervous of course, but I was mostly just massively over-excited: I was absolutely happy with my book, having it published was a dream come true and I was REALLY looking forward to other people being able to read it.

With the publication of Everything Love Is imminent (July 28th), although in some ways I feel much calmer about publication itself because I know much more about what to expect and what not to expect, my anxiety about how it will be received by readers is much greater.

I’ve been trying to work out why that is. Although The Night Rainbow will always hold a special place in my heart, I like this book just as much for different reasons. So, what is it exactly? I’ve come to the conclusion it’s not the reviewers, or the new readers that concern me. If this were my debut I’d be perfectly fine. In fact, I’m worried what readers who loved The Night Rainbow will think. How will this book compare?

Hardback books

When you publish a debut novel your writing is generally critiqued on it’s own merits, and compared (even in readers minds) to other authors, but it cannot be compared to other novels you have written. Most importantly it cannot disappoint a reader who bought this book because they loved your first. But a second novel can.

It’s not really a question of the standard of writing: writers tend to become more accomplished as they go through their careers, unless a book has been hurried along due to an excessively short publication deadline or something has gone awry with the editing process. But until you have published a second novel, your first is a lone star, a single point of reference.

Unless the second is a sequel or part of a series, it will tell a completely different story to the first. The voice will be different, as will the themes and the characters. There will be similarities that mark out the book as a product of the same author, but it will be largely unfamiliar.

star

A second novel encourages direct comparison. A second star alongside the first, their positions are marked in relation to each other. It is only when there is a third star that they start to make up a picture of something more – who the author is, their style, what you can begin to expect of them. When you start to see what ties an authors books together – then they become a constellation.

As I finished writing Everything Love Is – and even more so as I embarked of the first draft of my third novel – it has become clearer to me what shape my own constellation is taking. I understand more about what is important to me as as a writer, what seems to tie together the stories I want to tell and how I want to tell them. This is something of a self-discovery, and feels really exciting. But of course that is getting way ahead of myself and is still overshadowed right now by my pre-launch preoccupation with how Everything Love Is will be received by those readers who are waiting for it in anticipation after having loved The Night Rainbow. Because it’s basically all about the readers.

Meanwhile there are a lot of other authors’ second novels out – and coming out soon – this year that I’m very keen to read. After their cracking debuts I really want to see what their next books will bring. It’s wonderful to discover an author whose work you want to keep going back to. I’m looking forward to seeing which of these will become some of my favourite constellations in my literary universe. Are there any growing in yours?

 

Photo (c) Gary A. Becker at Astronomy.org

No Spoilers Please

Posted on: April 25th, 2016 by Claire - 4 Comments

What makes something a spoiler?

Although my new novel isn’t out until July, it’s been available on NetGalley for a while for reviewers to get hold of, a few uncorrected proofs have been sent out and there was recently a Goodreads giveaway, so it’s now in (very modest) circulation.

A few reviews have started to pop up, and since they are so lovely – and also gratifying for an author with pre-launch wobbles (PLWs) – I thought I would add some of the comments onto my Everything Love Is book page.  You can see that here.

Image0004LOW RES

However, in order to do that I had to edit out a few lines of what I would consider to be spoilers. I don’t believe for one minute that the reviewers considered their (very kind and insightful) words that way. But some of the comments included information that, as the author, I’d prefer future readers discovered at their own pace, through the story itself. And if they learn about it before diving in, well, it could spoil the read. Not ruin it, but still make it somehow less gratifying than I had intended, and tried to achieve through the (meticulous) way I wrote it.

With The Night Rainbow there was a huge potential spoiler, and to start with I was quite obsessive about looking at reviews to see if it had slipped out, and thanking reviewers for their discretion! I knew how easily it could be mentioned when trying to summarise what the book was about.* Thankfully only a few reader reviews ever mentioned it, although one national newspaper mentioned it in the first line of their otherwise glowing review. We couldn’t do anything about the thousands of print editions, although at Bloomsbury’s request they did edit the online version.

*I know how hard it is to answer the question “What is it about?” because I am asked it often and struggle to respond in any meaningful way. With some books it’s not a problem – it’s easy to talk plot points without spoiling the story – but with the kind of books I write, it isn’t and I find it easiest to stay thematic. With The Night Rainbow I would say it was about hope, our human struggles with grief, and the tenacity of children. With Everything Love Is I am simply telling people it’s a love story. I do realise that these are not always satisfactory answers, and I’m sorry about that. This is why I need reviewers, obviously.

I am always so moved by the careful way people phrase book reviews. I think that because book reviewers are book lovers, they  are sensitive to avoiding sharing plot points that could affect someone else’s experience of the book, even when this makes writing a review much harder to do. The question is, where is the line drawn between explaining something that gives a little context to the book, and revealing a spoiler, and as an author, should we just try not to get involved? After all, once our novels are published what people say about them is out of our hands.  We cannot curate readers’ experiences of our books any more than we can govern if they like them or not.

 

 

Everything a book cover is…

Posted on: November 6th, 2015 by Claire - 20 Comments

Waiting to see what your publisher proposes as a book cover is akin to waiting for judgement.

Publishing people read your book, then sit around in closed rooms discussing design briefs. I’ve never been to one of these meetings but I like to imagine that alongside marketing and sales perspectives, they also involve intense discussions around leitmotifs, imagery and basically how to encapsulate 90,000 words of a novel in a single photo or illustration.

Which explains why it’s so nerve wracking when the email with the cover art finally comes through. Will it feel right? Will there be disappointment, horror or relief when you finally dare to click on the .jpeg? Or dare you hope for something even better?

For me, the moment my book has a cover is the moment it stops feeling like a manuscript and starts feeling like an actual book. And so I’m excited to share with you the hardback cover for Everything Love Is, designed by David Mann, art director at Bloomsbury.

What do you think? I do hope you love it visually as much as I do, and that when you’ve had a chance to read the story next year* you’ll agree it’s clear just how much thought and attention to detail has gone in to the design.

Everything

 

*Click here for more details, including places you can already pre-order it if you wish.

P.S. Fellow Bloomsbury author, Samantha Shannon, ran a Q&A with David when she revealed the stunning cover of The Bone Season back in 2013. You can read what he has to say about the process of cover design here.

The Multiverse of a Novel in Edits

Posted on: June 30th, 2015 by Claire - 6 Comments

Everything Love Is, my next novel, found its home at Bloomsbury in December of last year. Since then I’ve been working with my editor on getting it into the right shape for publication next year and I’ve just handed back my revised-redrafted manuscript just in time for the school holidays to come surfing in on the back of a heatwave.

This is my second experience of having a novel edited and it has been so different to the first time around that I thought it was time for a new post on the subject.

Unlike when I was submitting The Night Rainbow, I knew when I submitted this book at the end of last year that I wasn’t entirely happy with it, but after literally years of editing it myself and getting it to the point where it was clear what it was GOING to be, what I needed was an editor. So I plucked up the courage, hoping I hadn’t gone off half-cocked, hoping that everyone would see through the not-right bits to the heart of the story, and hit send. This story has a happy ending.

fistbump

Then…

In the new year, my editor re-read the novel, this time with an editor’s eye rather than a reader’s eye and subsequently spent a long time trying to put her finger on the elements that weren’t working for her and find a way of articulating that*. I got her (7 pages of) notes back in mid-February and we chatted through them. I was SO happy to have this input. I think sometimes when you are so deep in writing a book it becomes impossible to drag yourself back out of it to look at it objectively. Beta readers can be a great help, but even if asked for useful feedback they are still reading as readers, primarily, and if you’re hoping for publication I think at some stage you do need the professional eye of a good editor.

The kinds of things we were looking at in this stage were fundamental to the shape of the book, like the way of introducing the two narrative voices in a way that best helps the reader get to know them and understand where the two perspectives are coming from; plot elements that needed moving around, scenes that needed bringing to life more, and scenes where I’d relied on excessive exposition unnecessarily.

Helen asked all the difficult questions – difficult for me to answer because they really challenged my understanding of the characters, forcing me to think deeply and question myself , but also the flow of the storytelling – the timing of foreshadowing and the placing of clues in the narrative at just the right moment to keep a reader engaged without giving too much away.

* I think it’s an amazing skill to be able to read a novel draft and be able to pull out the questions you need to ask the author in order to help them improve and strengthen their book.

The complexities of writing this particular book had started to feel overwhelming to me and all this input was exactly what I needed to get it to the next level. I spent the next two months working on this, looking at different ways of responding to the challenges that Helen had thrown down. I redrafted the whole thing, handing it back in in mid-May, but not before I tweeted this:

A month later, Helen came back to me with her feedback on the changes I’d made. Most of them were received very positively, but there were some new changes I’d made that she wasn’t sure about, and on top of that she had now gone on to comment on the manuscript in a much greater level of granularity –  73 specific comments and queries throughout the novel. To deal with these we had switched to commenting and tracking changes in Word. By the time we had both done with it it was a very colourful document. I’d love to show you an example page, but I can’t, because SPOILERS! Thankfully wherever Helen suggested I made a change she had also highlighted the other parts of the story that would need revising if I did (as the implications of the change cascaded throughout the rest of the book).

As I said above, I’ve just handed back my reworking on all these comments so we’ll see what Helen makes of this newest iteration. I have to say that I am feeling really positive now about the way the novel has taken shape. I think with Helen’s help and guidance I’ve got to a stage (copy-edits and last minute changes not withstanding) where I feel happy releasing this story out to the world. So thank heavens for editors, three cheers and more.

fistbump2

One extraordinary realisation I had when I was going through this rigorous process was the overwhelming number of choices we face as authors: the decisions we have to take for the story that turn it into what it will ultimately, irrevocably, become.

It reminded me of the theory in physics that says not only is it possible, but that it makes sense that there are multiple universes like our own, each one just a tiny bit different. So we live in an infinite number of parallel universes, essentially in which all the variations that could have happened in our lives are being played out. Best to let someone like Professor Brian Cox explain this scientifically, but I do think that parallels (no pun intended) can be drawn with writing a novel.

In a 90,000 word novel, there are so many potentially different novels, and all of them could be good. How do you choose your story? How do you know which one is the right one? How do you know which is the best one?

Star cluster Omega Centauri by the Hubble Space Telescope

Star cluster Omega Centauri by the Hubble Space Telescope

 

Footnote 1

For more of my archived posts on revising/rewriting/editing pre and post submission, see these:

 

Footnote 2

Please do also have a look at Susan’s blog below, as she charts the process of revising her third novel, and do let me know if there are others I should link to here as well:

Susan Elliot Wright: “Yes, fellow writers and esteemed readers, it was crap with a capital ‘C’. Thing is, there were those ‘not entirely hopeless’ bits, and there was five per cent gold (potentially gold, anyway.)  I knew that somewhere in that draft was a story I definitely wanted to tell, so I virtually started again.”

Why we all need a First Follower

Posted on: June 4th, 2015 by Claire - 4 Comments

I was recently reminded of this short (3 mins) TED talk on starting a movement, and it occurred to me how it’s a great analogy for the word of mouth that grows around a book.

So, when you publish a book, you are basically the dancing man. Out there on your own, enjoying the contents of your own head, wanting to share it with others, taking a risk.

But as Derek Sivers says, The First Follower is what transforms you from being a lone nut. You put it out there and then wait for that first person to stand up and dance with you. Maybe it’s a reviewer, maybe it’s a retailer, but more often than not it’s a reader who really loves your book and wants to tell the world about it. What’s important is they are also taking a risk, letting the world know that they’re part of your movement before they know if it’s going to take off or not. And *thank you* they start trying to get all their friends to join in too.

And you, the dancer, are hoping and praying that they will come and join in, but you can’t make them. You’ve done all you can with your funky dance. All you can do is welcome these people to the party graciously and with gratitude. And keep on dancing.

And very soon it’s not about you any more. You are just one more person in the crowd.

The perfect time to sneak off and write a new book.

 

A Heartbreaking Work of Staggering Genius

Posted on: May 28th, 2015 by Claire - 14 Comments

You have 250 words (the length of this blog post) to describe your novel in the way that describes it accurately, and in the most appealing way. Go.

No, not the dreaded synopsis, but the short description that readers will see alongside Everything Love Is on Bloomsbury’s website, on Amazon and copy-pasted into the beginning of many reviews after publication next year. It sets the readers expectations and hopefully whets their appetite.

My editor has just given me her first draft to review. As the one other person who has read this book several times and put a huge amount of effort into making it as good as it can be, she is brilliantly placed to do this and you can see that in the way she managed to encapsulate the novel in so few words. As with The Night Rainbow, Everything Love Is is not a book that is easy to describe. It’s not “The next” anything. As I joked on twitter – No Girls, No Trains and Nothing Tiny: You Will NOT Believe What Happens Next.

As I ponder how to get this description just right there’s a lot to consider. There’s a temptation to use superlatives (flipped into an actual book title by Dave Eggers – as pinched for the title of this post), or to second-guess what readers might feel as they read it. An option to hint at twists. A need to avoid clichés. What makes a description both believable and enticing? What do you think?

child's drawing

*I wasn’t sure what image to use for this blog post, so this is my 7yo’s drawing of me singing in the shower.

 

Blurby be Kind (2)

Posted on: January 30th, 2015 by Claire - 15 Comments

In the Before Time, when my editor at Bloomsbury was sending The Night Rainbow proofs out to authors with little enthusiastic and hopeful notes, suggesting if they liked it they might consider saying something nice for the jacket, I wrote this post: Blurby be Kind (do have a read and then come back!)

The post talked about how I was feeling, which was anxious, mostly, and how I *would* behave in the future, should I be faced with the same request myself.

Three years on, and I am indeed getting quite a few requests to read novels, usually debuts, with a view to providing quotes for the book jacket or for PR releases.

proof

And when I say quite a few, well, I have read more of these proofs in the last six months than I have read books from my (very tall) to-read pile, because they often come with deadlines whereas my own reading does not. Some have come direct from authors I know personally or on social media. Some have come from my editor and the remainder arrive from other publishers.

In some ways I’m absolutely delighted about this. It’s an opportunity to pay forward some of the kindness I received myself. (An actual author giving up their time to read my book – amazing). But in other ways it is a tricky thing to handle because however much you want to love a book, sometimes you just don’t. And that’s sad, especially when you know the effort and the hope that are bound up in that little proof.

I’ve been thinking about this a lot lately, and have come to this conclusion: I’ve been reading for pleasure for decades now, and I tend to know what I like. When I browse books I flick through the first pages and when I find a voice that is going to grab me and delight me I just know it straight away. When I listen to others making personal recommendations, in reviews, on blogs or on twitter, I tend to get a good sense of if a book is for me. That’s how I choose what to read. So I enjoy the books I’ve chosen for myself more often than not.

But with the hopeful books lining up for a bit of cheerleading, there’s none of that. My personal taste in books is not usually a factor, and so many of the books I am sent, just as with many of the books in a bookshop, are simply not my cup of tea, no matter how well written they are or how successful they will go on to be.

Still, when I read one of those books that nevertheless found its way into my hands I get such a sinking feeling. Because I want to be that cheerleader, I do. I carry on with those books long past the point I would normally – either as a reader or as an editor – because I want the magic to happen. But to be honest I already know it won’t. It’s like a blind date with a lovely person that you just don’t fancy. So if you know your book has been sent to me hoping for some blurb-love, please know that I have given it my best attentions, whatever the outcome. And if I don’t fall in love with it, well,  it’s not you, it’s me.

And by the way, isn’t PROOF a weird looking word?

proof

 

 

Book News, or How my Writing Process is like Monty Python.

Posted on: January 1st, 2015 by Claire - 9 Comments

Back in February last year, Science Fiction author Una McCormack tagged me in a blog chain for writers about our current projects. Here’s her post, so do head over there to find out more about her and her new Star Trek novel which will be published this month. Yes that’s right. Star Trek!

In accepting her tag I had four questions to answer: What am I working on?  How does my work differ from others in its genre? (I’m not going to answer that one, by the way) Why do I write what I do? and How does my writing process work?

I didn’t want to reply immediately because I wasn’t ready to talk about the novel I’ve been working on. In fact I’ve discovered in the last three years that in fact being asked about a book I’m writing, especially if it’s tough going, makes me pretty grumpy and defensive.

Effectively, in 2014 I was silenced by this book. I wrote just 9 blog posts in 2014 and only one of them was about writing or editing, the one from January: The Order of Things. Even that was a post about not actually being able to write because, well, life. When I posted that blog I thought I was close to finished. In fact I didn’t finish until nine months later. So many times I thought I was ready to submit it, but then I’d fall into a pothole of confidence and set off again on ‘just one last edit’. So I guess this is the part where I talk about how my writing “process” works:

I spent 2014 wrestling with my own editing process. The more I edited, the further I seemed to be getting from the end. And then suddenly, in autumn, it finally came together. A bit like this:

With hindsight I think a lot of this was to do with the fact that I had no experience at what stage a first draft was good enough to show to an agent or editor. I wanted it to be clear exactly what I was trying to do with the book and for the writing to shine, at least in parts. With your first book you are always told to polish your novel as much as you can before you send it to agents. But with a second one? When is it good enough to share?

Times are still tricky in publishing. Just as getting an agent doesn’t mean the novel she took you on for will get published, so getting that first book published doesn’t automatically mean your publisher will want your second (unless you are contracted for it). And the novel I had chosen to write was pretty ambitious. I felt a huge pressure to get it right.

Funnily enough, by the time I thought it was good to go and finally sent my agent my manuscript in October, I was so drained by the effort of getting to that place that I was starting to wonder if anyone would ever actually love this book that had caused me so much heartache…

But they did (joy!), and because they did I now feel positive and confident about it again myself. Oh the roller-coastering of it all. Now I am really looking forward to (my editor) Helen’s edits this month. I’m convinced that she will be able to illuminate things I can work on that will turn this book into what I want it to be for readers.

Meanwhile, in the last two months I’ve been having a writing break, I needed to read, spend some time with my neglected family and get my writing groove back again. I’m starting 2015 feeling refreshed and raring to go.

 

So what is it I’m are working on?

Firstly, it’s my second novel, Everything Love Is, which is now scheduled for publication in 2016. I’m delighted that it’s no longer just me that’s working on it, but me the team at Bloomsbury too. It’s set in France on the Canal du Midi, and is a love story wrapped up in a mystery, about memory and the happy endings we conceive for ourselves.

I’m also starting the first draft of my next novel. My plan is to use the very early mornings for this, before the rest of the family get up for breakfast, as I find that’s when my brain is at its least polluted and most uninhibited. I’ll save the editing work for later in the day when I’m more analytical.

I also plan to try and squeeze in at least one short story in January/February. It’s a form I’ve neglected lately and I do get a lot out of writing short stories, both creatively and from a satisfaction point of view. And I’ve promised my daughters I will write them a children’s book we’ve been talking about, which is a great fun thing to pick up on difficult days.

It looks as though in January I won’t have much day job work on, which is just as well really, given all the above.

 

Why do I write what I do?

I always seem to struggle to describe my novels in terms that don’t make them sound bleak. The Night Rainbow, I would tell people, is about a little girl whose pregnant mother is too depressed, following the deaths of her husband and a previous baby, to look after her. How gloomy does that sound?!

And Everything Love Is, well it’s about a man who discovers he has early onset dementia just as he meets the love of his life. It doesn’t sound like an uplifting read, put like that (but I promise it will be).

And if I told you about the new book I’m working on (which I won’t, sorry!), the elevator pitch would be similarly jolly.

But the thing is that none of these books are dismal books. For me the common thread in the novels I choose to write is the resilience of the human spirit. The challenges that I throw at my characters are not burning buildings, but burning hearts. I am convinced of our extraordinary capacity for strength of character and hope in the face of struggles and that’s what I want to write about. Those are the stories I want to tell.

 

Who next?

I’m also allowed to tag one or two other writers to write a similar blog post. I am going to tag Alison Wells, a writer who leaps across genres with great skill and tenacity, who writes some of the most beautiful prose, both in her novels and short fiction, and who I hope will soon be snapped up by an agent and a publisher.  No hurry, Alison, obviously!

 

 

On not being the most anticipated…

Posted on: December 29th, 2014 by admin - 14 Comments

I was reading my twitter feed this morning, which suddenly seemed to be flooded with links to articles listing the Most Anticipated Debut Novels of 2015! the 10 Authors to watch in 2015! and What’s going to be hot in 2015! and whilst I’m always happy to see authors being bigged-up and their books recognised and given a leg up in the sea of new releases, I couldn’t help but feel for the many debut authors who might be hoping to see their books on those lists and who are now feeling the pangs of disappointment because they are not.

I remember how, as a debut novelist in 2013, at the end of 2012 these lists were coming out and I came to the realisation that even though the launch of my first novel was MY most hotly anticipated moment in 2013, I wasn’t going to be making much of a splash in literary circles. At least not in that way.

I’ve learned a lot in the last couple of years, and I made a comment on twitter to the novelists not on the lists about how it doesn’t really matter at all…and ended up having a lovely (backstage) chat with author Sarah Perry, whose debut novel After Me Comes the Flood was published this year (to much critical acclaim, by the way).

The thing is, MOST new authors go through this. MOST of us are not the most anticipated. But if your pool of debut authors is limited to you and the ones everyone is shouting about on twitter and in the newspapers it’s very easy to feel like the poor relation. It’s very easy to have your perspective skewed and your excitement diminished by things that, quite frankly, don’t really affect you that much at all.

Other people, family and friends, may unwittingly add to this feeling, because they are excited for you and they too don’t see how your book is, in fact, a drop in an ocean. Hopefully you are able to have an honest conversation with your agent and your publishers, because they have done this all before with other debuts before you, and are face to face on a daily basis with the vagaries and the difficulties of the publishing industry.

In 2013 I was lucky enough to have other authors to talk to, like Vanessa Gebbie whose debut The Coward’s Tale had been launched the year before mine, and Kate Worsley whose debut She Rises launched the same time The Night Rainbow did, also with Bloomsbury. But you’ll still need to find a way to manage this yourself.

I was going to say you can’t compare yourself to other people, or compare your book to other books, but of course you can and you probably will, in all these ways and more:

World of buzzwords

The list goes on and on and on and you can let it drive you crazy. In fact you probably have to take a conscious decision *not* to let it drive you crazy, not to diminish the pure unbridled joy of signing that book contract a year or two before (I can hear all the unpublished writers out there yelling, “Seriously? You got published! Be grateful!”).

In the end – in publishing just as in life – the noise and the superlatives and the LISTS and the rankings, they detract from what is important. From what is important to YOU.

Do you really care if you didn’t make a top ten list? Does that spoil it for you? (Because it’s not necessarily an indication of how well your book is going to sell, you know?) Does it truly matter to you if someone else’s book has more buzz around it than yours, or more marketing budget? Would those things have mattered to you when you were pitching your novel for publication? Have your publishers let you down? Have you let yourself down? Has Lady Luck let you down? Or is it, in the end, just buzz and fluff that can be the icing on the cake for those who get on the lists and win the prizes? It’s not as if you still don’t have the cake itself.

For all the debut novelists of 2015, I have three pieces of advice:

1)  Don’t lose perspective of where you are, what you have achieved, the dreams that you have brought to life.

2) Keep on hoping, but focus on the things you can affect: Writing the next book. Reading other people’s books. Improving your work.

3) Talk to other people. Talk to other authors about their experiences, because all of this is the tip of the publishing iceberg and after all this launch business dies down, what you are left with is this – you’re a writer, and somewhere, some readers are already anticipating your next book. You need to sit down and write it.

Happy New Year to you all, and may 2015 be wonderful for you in a myriad of unexpected ways. xxx

How to Squash all the Bookish things into 7 Days

Posted on: November 14th, 2014 by Claire - 5 Comments

I spent last week in the UK, which is something I rarely do, especially on my own. Because of that it became a very condensed seven days doing all the bookish things I would do more often (but in a more spaced out way) if I lived in Britain.

On Thursday evening was my initial reason for the trip: a Newnham College alumnae networking dinner. My old college is great at finding ways to bring people back together, and this dinner was themed around literature. There were 15 of us, including authors, screenwriters, radio producers, journalists, publishers and editors and a fascinating talk was given by Cathy Moore on how she founded and developed Cambridge Word Fest, now Cambridge Literary Festival. I was reminded how lucky I am to be part of this network of accomplished women who have gone on, and continue going on to do diverse and extraordinary things in their lives.

On Friday I called by Bloomsbury to pick up some books they were kindly donating for my school visit on Monday. I have to admit to keeping the very sexy ‘Sleeper and the Spindle’ bag they came in. I also managed to snag an hour with my lovely editor Helen for a catch up, which generally means talking about what books we have read, the state of publishing, life in general and my writing. I was happy to be able to finally tell her that she’d be shortly receiving the MS of my new novel.

London2Coffee in Bloomsbury was followed immediately by lunch in the basement of Pizza Express in Soho. The lovely Gillian Stern had organised a “twunch” (yes, it’s a thing) where a whole load of lovely literary Twitter chums get together and talk writing, publishing, books and just get to know each other a bit better in the flesh. There were more than 30 of us there and of course I didn’t get to chat with with everyone, but I managed to catch up with some familiar faces and meet some new. Just as on twitter, there was a very diverse bunch of people (although Ben, Lloyd, Barry and Alexander had to hold up the side for the men), all with interesting stories and backgrounds and all willing to be open about their writing ups and downs, to offer cheers as well as sympathy and to network in the best sense of the word, sharing experiences and ideas. A really energising and fun do, and here are the last six of us to leave after managing to make a pizza lunch last four hours…@JaneRusbridge, @IsabelCostello, @EmilyBenet, Jackie Buxton (@Jaxbees) and @KnightJennyMrsLondon1

At the twunch, fired up by a glass of prosecco, good humour and dough balls, I started talking about my new book, Everything Love Is as though it was actually a thing. That might sound like a strange thing to say, but after so long writing and editing it, and all the doubts and uncertainties that go along with writing a novel on your own, I’d become very reluctant to discuss it. But since it had already been with my agent a week or so, and now I’d told Helen she’d get it next, it had suddenly begun to seem inevitable, regardless of what fate has in store for it. It was very encouraging that when I told people ‘what it’s about’ they seemed to like the idea (although small voice inside still whispers “maybe they were just being kind”).

Over the weekend I caught up with some of the friends and family I miss so much. It was absolutely lovely to spend time with some of the people I wish I saw more of – the major downside of living over here in France

Then on Monday I was up in South Yorkshire where I grew up, visiting Bawtry Mayflower Primary school where I had a chat with a group of year 6 pupils about reading and story telling. I’d been asked to do this talk because I’m signed up as a volunteer on the Inspiring the Future project – it’s not just for writers, it’s for anyone who’d like to volunteer, offering an hour a year of their time to go and talk at local schools about what they do. The idea is to inspire the children and expand their horizons. I’d encourage you all to please sign up for this if you can.

I wasn’t sure what to expect. I had no idea what this class of children would like, or be like, so I’ll admit to being a little apprehensive. I was delighted to find a really lovely friendly school, with bright, polite and engaged children, full of questions and enthusiasm for books and reading, which made my job a lot easier.

We all chatted about our favourite books and why we like them (Roald Dahl did really well, but there were some very diverse books discussed and I made a note of some for my 9yo), and then we talked about why human beings tell stories and what reading stories does to your brain.

Then we talked about metaphors in story telling and discussed the idea of G.K. Chesterton that “Fairy tales are more than true – not because they tell us dragons exist, but because they tell us dragons can be beaten.”

An interesting question that came out of that discussion was this: Why are children’s stories more fantastical whereas adult stories tend to be set in real life situations, with events that really could take place?

I thought that was a great question. We had the idea that perhaps children have more imagination, or that real problems upset children more than imaginary ones, or that children have very little power and fairytales can imbue child heroes with not only courage but also super human powers. What do you think, why do children’s books lean more to fantasy whereas in adult fiction it’s only one genre of many?

Children holding books

As part of the discussion we used the books donated by the lovely people at Bloomsbury Kids and it was brilliant to see how excited the children’ were about receiving these books for their class.

At the end of the session one of the girls asked about my writing, and when I mentioned The Night Rainbow she said “My mum has that book!” This was followed by a flurry of requests to sign autographs on scraps of paper. I’ve never been asked for an autograph before. I suddenly felt quite the star!

Tuesday and back down in London to meet my agent and find out the verdict on The New Novel. But first, since it was armistice day, I got up early to see the poppies at the tower before it got too busy. Even at 7:30am there were lots of people. London3The installation was stunning, inspiring and an invitation to contemplation, not just about the hundreds of thousands who lost their lives in the UK in the first world war, but about all those other lives lost across the world, then and in subsequent wars. About the families left behind. About the wars which are still raging today, and what is behind them, and how peace still evades our species and why. This is what I think the arts do best: yes, they can be beautiful, entertaining or relaxing, but most importantly they turn the questions back on ourselves and provoke us to think.London4

The previous day, Education Secretary Nicky Morgan had made a speech advising teenagers to steer away from arts and humanities subjects if they wanted a better range of job opportunities. That maths, science, engineering and technology would be more worthwhile. Putting economic arguments aside (but not because I believe for a minute that devaluing the arts wouldn’t harm the economy), how can we reconcile the idea of the arts being less useful with the amazing response to the tower poppies? People flocked to see them, to be moved and reminded and challenged intellectually and emotionally. The arts and the humanities are needed to balance out the STEM subjects. They make the human race human.

Some of you may know that I do also have what I call a “day job” (my day job colleagues consider that I am “also a writer”), and after seeing the poppies I popped into an office in Old Street to catch up with a few people there. And the most beautiful surprise, out of the blue I was given this beautiful leather bound copy of The Night Rainbow as a present. I now feel as though I’ve won the Booker. And it smells so good!London5

Book shopping! One of my highlights of trips to the UK, as I just love browsing in bookshops, but I do read mostly in English not in French, so it’s not as much fun over here. Right by the office I found Camden Lock Books, a gorgeous little shop with books piled high around the base of the shelves and creatively stacked to fit as many in as possible. Obviously I bought some, including a couple of Michael Morpurgo’s I hadn’t heard of for my daughters.Londonz2

Then it was off to Covent Garden to meet my agent…

Hallelujah, she loves the new book. Much rejoicing over fish pie and a cheeky lunchtime glass of wine, followed by the crossing of fingers over coffee.

Then on Wednesday it was back home to autumn sunshine, the first snow on the mountain and best of all, my lovely family. What a whirlwind of a week.

Since Helen is going to need some time to read and consider Everything Love Is, the waiting game starts here. I’ve decided to take a writing break until the new year, to refresh and catch up on reading. I’ve just read The Rosie Project and The Kite Runner, and I’m in a pause midway into The Luminaries, and now reading Carys Bray’s A Song for Issey Bradley. I bought Roald Dahls short stories in London too (it seemed appropriate after his popularity on Monday). I fully intend to gorge on books between now and Christmas.

My other plan is to do lots of “spring” cleaning as the house has suffered rather a lot during the last couple of years of writing, and to get stuck into some of the DIY that’s been waiting around. I find that smacking things with big hammers is great therapy for nerves…

How Publishing a Novel will Change your Life

Posted on: April 13th, 2014 by Claire - 15 Comments

I read a blog post today by the debut novelist Mary Miller: Publishing a novel isn’t going to change your life 

Mary says: “I don’t mean to say that publishing a novel isn’t awesome. It is. In so many ways. But it disheartens me to see my friends talk as though it will solve all of their problems and alter their lives completely when I know it won’t.”

I absolutely agree with the point that for most authors – and in this I include myself – the publication of a debut novel doesn’t lead to a life of Riley. But most writers I know don’t expect this – we do understand the publishing industry to some extent and we also network with other authors on twitter who often share their experiences both amazing and frustrating. You can hope and dream, but you have to keep your expectations realistic.

I wonder if there is a difference in expectations if you are an MFA undergraduate or graduate and are expecting writing fiction to be your career from day one. That’s a big investment in time and money and so perhaps in that situation you do expect a payback?

Or perhaps it’s that I’m older, and I’ve already learned that getting that job, that promotion, that pay rise, that man, that flat…none of those things actually change your life in any meaningful way.

Wish

I recently wrote about a few things I’ve learned after a year of being published, but having read Mary’s post I wanted tell you about three ways in which publishing a novel has changed my life:

#1. (And most importantly) I have discovered that being a writer is what I really want.

You never really know if what you want is really what you want until you get it. Only then do you see if the reality meets your expectations, and even if it doesn’t, is it a reality you want? For me it is, and this has changed my life because holding on to this opportunity, digging in deeper, raising my game – all these things now are based in a better understanding of where disappointments may lie, and the risks I am taking. I am learning as I go, but at least now I see the path clearly.

#2. (The consequences of #1) I’ve discovered where I have even more to give…and where my limitations are.

Sometimes life throws things at us that adds more to our plates and tests our ability to manage it all, our stamina and our good humour. Sometimes we throw this stuff at ourselves, and I think that’s exactly what you are doing if you are trying to get a novel published these days, be it your debut or the second or the nth. You are setting yourself up for rejection, underachievement and disappointment that you could easily do without. And it doesn’t stop after the first novel is published. Writers are continually wracked by doubt and insecurity. And once you have a book out there the pressure on you increases. You have to deliver on the next book whilst promoting the first one and carrying on with your ‘normal’ life without dropping plates. But we do this because we choose to, because we have hope, we are driving ourselves to do something that is not easy and that smacks of character. If you don’t want to write then don’t. (I’m reminded of this post, from writer Kirsty Logan “Writing is not hard.”)

#3. My daughters think I’m awesome.

Yes OK they are too young to know better, and yes I have always had the magic card of ‘Mummy – the best person in the world’, but this is different. They tell everyone they meet about my book, and how I’m a writer. They’re excited by it and proud of me. They see me working hard and they see the exciting things happen. I feel as though I am role modelling something that will serve them well later in life.

So…

If you’re looking for your first published novel to change your life financially, you probably need to revise your expectations. But don’t think it won’t change your life. One way or another it probably will.

Postscript June 2015: I came across this (beautifully written) article today, on a similar topic. 

A Year on the Shelf

Posted on: February 13th, 2014 by Claire - 22 Comments

It’s one whole year since The Night Rainbow was first published. The UK hardback and ebook were released on February 14th 2013 and the paperback six months later. So to celebrate my ‘Year on the Shelf’ (it’s Valentine’s Day, see what I did there?), here are five things I’ve learned over the course of the last twelve months:

Books coming off the printing press

Hot off the press.

(1) You don’t publish and tell 

There are quite a few things that will surprise a new author as they take this journey for the first time, and you won’t have seen them blogged about or discussed on twitter. I’m not going to talk about them either. Why? It’s the same reason why people who are already parents don’t sit their pregnant friends down and say, “Right, well let us tell you what’s about to happen to you.”  Sometimes it’s better to let people wait and see.

However, what you will need are some people who have been through it before to be there for you once you are finally living that dream. So, when it’s your turn, make sure you find author friends and mentors who will give you the lowdown if you ask.

The gorgeous window

The gorgeous window – Little Ripon Bookshop

(2) Authors are great

Other authors are generally lovely and generous and want you to succeed. Many will encourage and support you, even if they have never heard of you before. It’s a lovely group to be part of. Pass it on.

Jodi_tweet

 

(3) You will be busier than ever

Remember how you managed to squeeze writing a novel – an actual novel! – into your already full life? Well now that novel now needs taking to parties, to readings and events. And people will ask you to write about your book, and write about writing your book. For your own sanity, remember you don’t have to do everything. Decide, along with your publisher, what you want to commit to and learn to say no to the rest.

Also people will immediately start asking you when the next book is due out. It isn’t going to write itself, you know.

Marie-Claire

I was reviewed in Marie-Claire!

(4) We are not the same

Chances are that you will have highs and you will have lows, but your experience will be different from mine. It will depend on your agent, your publisher, your book, timings, the market, luck and so many other variables that there is no way to know how things will pan out for you. All you can do is get an idea of if you are falling somewhere within the spectrum of ‘normal’ –  see (1) – and hope for the best.

Will your book win prizes? Get reviewed in the New York Times? Sell foreign rights? Will Oprah pick it? Will it even get into bookshops so people can buy it? Getting into retail is harder than you think. Once your book is out there in the world, frankly it’s anybody’s guess how it will fare no matter how hard people are championing it on your behalf.

It might be that your book doesn’t get as much recognition as those you have decided to benchmark it against. On the other hand it may do better than other books that you have read and think deserve to win every prize going. You need to stop comparing. Remember you’re at the start of a long road and you need to conserve your energy.

As for sales – everything you have heard is true. Right now the prognosis is pretty shocking. But your publishers have faith, or they wouldn’t have taken your book. If you go off with a bang at launch, brilliant, congratulations! But if sales in the launch period are ‘quieter’ than you’d hoped, it doesn’t necessarily mean that your book is going to die a lonely death. If readers like it, they will spread the word, slowly but surely. Sometimes you need a bit of critical mass and that can take time for a new author. Think about how long it takes you between hearing about a book and actually buying it, and then actually reading it. For me it’s months.

Euston Station

Euston Station, August 2013

(5) Readers above all else

It is so wonderfully rewarding when people you’ve never met take the time to look you up and write to you, just to tell you that they loved your book. That you have given them something special, a story they won’t forget. That, for me, is what writing is all about.

Of course sometimes readers don’t write to you personally, but instead take the time to write a review (thank you, reviewers!). Reviews do matter, but try not to get obsessed by them as they are completely out of your control and will not always make you happy.

Sometimes they will say things like this:

***** “Officially my Book of 2013. Wow… Read it!”

and

***** “This book resonated with me. I will carry Pea with me for a very long time.”

but sometimes they will say this:

** “Ideal for nature lovers seeking a blow-by-blow description of the French countryside without the distraction of a plot line.”

And that’s all OK. Remember that all sorts of people are now reading your book (HURRAY!) and they can’t all be expected to like it.

Also, there will be reviewers who write spoilers, sometimes in the very first line of their write up. Even in national newspapers. But hey, girl, your book got reviewed in a national newspaper.

Portsmouth Fiction Prize Vote

Portsmouth Fiction Prize Vote

If you’re about to head out on the same journey, good luck to you! And for those of you who have played a part in this marvellous, exciting year of mine, a huge thank you from me.

 

Bonus Tip: Social Media

Nothing has changed. Even now you are published, Social Media is not the boss of you.

We Need to Talk about Amazon

Posted on: November 27th, 2013 by Claire - 15 Comments

While my first year being a published author has been going great guns in the UK, things have got off to a fairly quiet start in the USA.

That’s pretty much par for the course for a debut British novel, I’m told, and The Night Rainbow hasn’t done too badly. Considering there was no ‘launch campaign’ as such, around release time in April there was some great coverage in book shops, and I’ve had a modest royalty cheque, so hurray!

Then this week, Amazon.com chose The Night Rainbow for their Kindle Daily Deal. I don’t know how that works, but I am thrilled they did.

As a rule I don’t follow my rankings on Amazon, because

  • a) Frankly, I can’t actually affect them.
  • b) The numbers swing wildly about and it’s pretty unfathomable how they relate to actual books sold.
  • c) They change every hour. Can you imagine how distracting that would be to a writer if you let it?

But yesterday I made an exception, because I was interested in how the promotion – which saw the ebook price fall from around €9 to $2.99 for 24 hours – would go. Looking over the months since launch, sales on Amazon of both the printed and the e-book appear to have been close to non-existent. Yesterday my sales ranking in the Kindle Store shot up by 954,681%  (apparently*). From roughly #250,000 to #25 in the paid kindle store. That’s pretty close to the top of the list.

And at the end of the day I got to see this, which although a fleeting phenomenon, is no less exciting and, most importantly, gets The Night Rainbow noticed by readers who otherwise wouldn’t have ever come across it:

2013-11-27 at 08.40.53

Amazon USA Literary and Contemporary Fiction: #2

And also this:

Screen Shot 2013-11-27 at 16.42.31

Amazon Canada Literary and Contemporary Fiction: #6

I don’t know what my sales were for the day exactly (they certainly didn’t increase by a million percent) but they did shoot up quite remarkably and continued for a while after the Deal had finished, when the ebook was back to full price.

The Daily Deal was November 26th 2013, so if you’re interested in seeing how the ebook is ranking now, click here.

I also followed the ‘noise’ around the promotion. And it’s not just Amazon who market it. They publicise the deal onsite and send out emails to Kindle users, but I also noticed that on twitter and on the web in general there are lots of accounts set up to catch these deals and shout them out to their followers and readers, magnifying the effect. *It was one of those accounts that tweeting the amazing 954,681% leap in ranking. It’s a machine that works very effectively.

So far so good. Has anyone got to this point yet without screaming,

  • “Yes! But it’s AMAZON!”
  • “Four Horsemen of the Apocalypse, Franzen etc”,
  • “Bookshops closing!”
  • “Death by ebook!”

Or something similar?

Well, yes. So to the thorny question of Amazon. As a reader, I’m a bookshop girl. I love bookshops. I love choosing books in bookshops and chatting to people who work there. As an author I also love bookshops. I love the warm welcome you get from the dedicated, passionate independent booksellers and from their customers, who they often know by name.

But Amazon have about a 30% market share of books in the USA. Many people now go straight to Amazon when they want to buy a book, and an even greater percentage when they want to buy an ebook. And obviously book shops don’t sell ebooks for Kindle (although Amazon are offering them the chance, which is a whole other debate).

Some people do prefer reading books electronically and the people that took a chance on my book yesterday because of a promotional price point and a big shout out from Amazon are not people who would have bought a paper copy from a book shop. Otherwise they’d have done it sometime in the last 7 months, I’d have thought. They are, however, people who will read it, hopefully be delighted by it, and hopefully tell that to other people.

Sometimes, as authors, it’s suggested that when we ‘self-promote’ we should limit that to encouraging people to go to bookshops. When the question of Amazon, or indeed supermarkets, comes up, even if they’ve helped market and sell actual quantities of our work, we are expected to hum and ha and shuffle our feet nervously. I did tweet several times yesterday to let people know about the offer. And every time I did, I must admit I felt worried that people might judge me for inadvertently ‘supporting’ Amazon.

But in the end, is it we authors who are responsible for the struggles that bookshops face? I don’t think so. Most authors I know would happily do signings at bookshops, support library reading groups etc., even if they find public appearances rather painful (the authors not the reading groups).

Nor are we responsible for where readers choose to shop. We have excruciatingly little influence, quite frankly, over who buys our book and from where. We can tweet our little hearts out, but unless we seriously set about a time-consuming social media campaign, it’s just not our call. The greatest influence we have is in the quality of our writing.

So, if a retailer stocks our books and readers buy them, enabling us to feed our kids and write more books, then we are happy. And if we can give that income a little boost along the way, then generally we will, as best we can.

Yesterday’s Amazon promotion was a great opportunity to boost awareness of The Night Rainbow in the USA and Canada. It’s the kind of novel that thrives on word of mouth recommendations, and as many authors can tell you, it can be frustratingly difficult to kick those off.

I hope the people who picked up the e-book for $2.99 yesterday will love it, and that they’ll consider giving it as a gift (wherever they choose to buy it) or just tell others what they thought.

And also that they will want to buy the next book. Speaking of which I’m off to finish it. Hopefully there’ll be news on that soon.

UPDATE:

Since posting this a couple of good articles have shown up on this topic, so links are here:

New York Times tongue in cheek, what Amazon is to a modern author 

New online retailer opens up in UK to offer online alternative to Amazon (The Bookseller)

 

 

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