Waiting to see what your publisher proposes as a book cover is akin to waiting for judgement.
Publishing people read your book, then sit around in closed rooms discussing design briefs. I’ve never been to one of these meetings but I like to imagine that alongside marketing and sales perspectives, they also involve intense discussions around leitmotifs, imagery and basically how to encapsulate 90,000 words of a novel in a single photo or illustration.
Which explains why it’s so nerve wracking when the email with the cover art finally comes through. Will it feel right? Will there be disappointment, horror or relief when you finally dare to click on the .jpeg? Or dare you hope for something even better?
For me, the moment my book has a cover is the moment it stops feeling like a manuscript and starts feeling like an actual book. And so I’m excited to share with you the hardback cover for Everything Love Is, designed by David Mann, art director at Bloomsbury.
What do you think? I do hope you love it visually as much as I do, and that when you’ve had a chance to read the story next year* you’ll agree it’s clear just how much thought and attention to detail has gone in to the design.
*Click here for more details, including places you can already pre-order it if you wish.
P.S. Fellow Bloomsbury author, Samantha Shannon, ran a Q&A with David when she revealed the stunning cover of The Bone Season back in 2013. You can read what he has to say about the process of cover design here.